Yesterday, in the middle of Britain’s great hurricane, we were creating some drama of our own in a little classroom in Christ Church University, Canterbury. The lovely and generous poet/academic/soon-to-be-bluechrome-new-author Carolyn Oulton invited me and the actress, Rosalind Cressy, to perform Dreams of May. This is the second in a short series of performances we’re doing (watch this space for info on the next one at the Poetry Cafe, London on 3 April) and, I’m happy to say, my reaction was much more measured than the last time I wrote about such a performance. Rosalind was her usual fabulous, professional self. It was amazing to see her arrive after a 2-hour drive in the wind and rain (and this was at 9.30 in the morning!) looking more like a lobsterman in her rain gear and wellies than a classically-trained actress, and then have her shake the deluge off her shoulders, take a deep breath, and go completely into character. Quite the performance. But for me, the most fun of all was this tag-team we fell into during the subsequent question/answer period. I’ve certainly gotten used to explaining my process to students, waxing all emotional about the importance of poetry in my work and my life. But I’ve never before had the opportunity to sit there and listen to someone do a “lit crit” session on my own work. Of course, I know that the writer brings all sorts of unconscious impulses and meanings to his/her work. That’s the fun of it – to have something pop out of nowhere and land on the previously blank paper in front of you. And of course, I understand and take great pleasure in discovering readers’ personal interpretations. But this was something different. Structure, form, rhyme scheme, word choices, imagery — all deeply considered and discussed by somebody OTHER THAN ME. Obviously, I love talking about myself (admit it, why else do we write our blogs?). But to listen to someone else talk about my work in that way was a real gift. Worth making the pilgrimage to Canterbury! So, thank you Carolyn, thank you Rosalind, and thank you to all of you out there who have read or seen my work and have managed to natter on about it for a minute or two.
And now, as a “petit homage” to my old English teacher who forced us to memorize
parts of the Prologue of Chaucer’s great work, here are a few lines in Middle English. Enjoy! No, really, you’ll love it!
Whan that aprill with his shoures soote
the droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
Tendre croppes, and the yonge sonne
Hath in the ram his halve cours yronne,
and smale fowles maken melodye,
that slepen all the nyght with open ye
(so priketh hem nature in hir corages);
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge strondes
To ferne halwes, kowthe in sondry londes;
And specially from every shires end
of Engelonde to Caunterbury they wende…
Ooh, Chaucer – it’s been a long time!
That sounds very exciting. I love theatre … not that I get to see much in Bangkok, but watching professionals at work is amazing.
Back at the end of the 80s, some of Eugene O’Neill’s Strange Interlude was filmed at my parents’ house and as a thank you they invited us to see some recording in one of the studios. Rosemary Harris did the most equisite scene which reduced all the crew and us to tears.
I cannot image how amazing it must be to hear your words spoken…
Jjx
oh – we had to memmorise that too! I still remember my excitement at the sounds of the words as I said them out loud – I used to murmer them to myself at odd times, just for love of it – your reading/lit crit sesson sounds fab – and on a day like that – a triumph!
That sounds like a rather wonderful experience!! It must be amazing to have something you have written brought to life and to see how the person speaking your words brings their own thoughts and feelings to the piece.
Congratulations – it sounds like the perfect tonic for a crappy day!!
C x