Earlier this week I outed myself about my addiction to romantic comedies over on Novel Spaces.  Now I have another secret to divulge — a biggie.  I have now been given the official go-ahead to tell people unofficially that my next novel, “A Clash of Innocents,” will be published! I can’t tell you when or by whom yet — there are still minor issues to deal with, like contract signing — but I can tell you it is all real enough that the cover artwork is being discussed and today I started to work seriously on my edits.
    Luckily, the edits don’t seem to be too extensive.  I’m thrilled to report that my editor is confident that the book is already in good shape.  There are two editorial points, though, that she wanted me to consider, and that’s what I want to talk about today.  I think it’s true that many, if not most, writers find that there are certain traps, certain clunky habits they fall into time and time again.  Whether it’s an overused word or a worn-out turn of phrase, these little buggers settle into our prose and then become invisible.  No matter how many times you reread the work, you just don’t see them sitting there, turning your otherwise beautiful sentences into turgid lumpy mush.  Well, I am here to divulge to you now that I have two of these.  Let’s take them one at a time:
   * Starting a sentence with the word But.  But of course, you’ll say, there’s nothing grammatically wrong with that, and you’d be correct.  But I’m not talking about grammar, I’m talking about relying too much on that one word to express contradiction or comparison.  Here’s an example:
      There’s nothing grammatically wrong with that.  But I’m not talking about grammar.
True, it’s not horrible.  Do it over and over and over again, though, and it becomes clunky and boring.  It’s not just a failure of the ear.  For me, it shows a lack of confidence.  I use But all the time because I don’t believe I’ve made my point clearly enough.  The But is the hammer that hits my reader over the head with my comparison.  If I believed the comparison was clear enough, I wouldn’t need it so often.  So Sue, cut it out.  If you don’t believe in your prose, why should anyone else?  There.  That’s the first one.
    * This one’s worse.  I continually put quotation marks around words as if to highlight their intended sense of irony.  It’s like I’ve gone through the entire narrative with a nudge-nudge wink-wink.  For example:
      He said he got the tickets from one of his “mates.”

Now if I have done my job, then the irony or sarcasm will be evident.  I shouldn’t need the damn quotation marks. I’d like to think that this problem isn’t a systemic one.  Rather, it is part of my narrator’s personality.  She’s lovable and funny, but she’s also particularly snide and sarcastic.  Yet, there are much better ways of showing this than tossing annoying punctuation marks all over the page.  Again, it shows a lack of confidence.  Stop it, Sue.  Stop it right now.
     Okay.  That feels better.  But I ask you. What are your “nasty” habits?

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